Foregrounding in Okey Ndibe’s Foreign God’s Inc

Foregrounding in Okey Ndibe’s Foreign God’s Inc.

Abstract

The study is a graphological inquiry on foregrounded elements in Okey Ndibe’s Foreign god’s Inc. The various paralinguistic graphological devices in the text complement the verbal signifiers and foreground critical and strategic aspects of meaning in relation to context of situation and textual function. Conventional wisdom that is linguistically oriented has it that, to properly decipher a literary work, it is essential to examine the linguistic peculiarities- styles, of the writer. Interestingly, stylistic analysis opens up forays for the appreciation of any literary work. This assertion necessitates a graphological inquiry on the select text, as it bears relevance to prevailing socio-cultural realities of contemporary Nigerian society.

Consequently, the research design for the study is Content Analysis. This framework addresses various stylistic and semantic orientations through a treatise of the several foregrounding elements. Admittedly, the study established the prevalence of some distinct foregrounding elements which may pose challenges to readers. And these elements express great ideas, consequential to the entire narrative. It is quite revealing as the research outlines the fact that foregrounding as an analytic tool is of great stylistic import in the sense that they help writers to express contextual or stylistic meaning, enhance text aesthetics and appeal as well as aid readers to conveniently comprehend and interpret the ideological propositions of writers contained in text.

By extension, language performs a multitude of functions constantly unveiled in relation to communication needs. The study therefore concludes that interpretation of textual meanings without proper recourse to the covert nuances of graphological patterning would be largely ineffective and fall short of the requisite standards in linguistic analysis of texts.

CHAPTER ONE

Introduction

1.0 Background to the Study

Foregrounding is a term usually used in art, having opposite meaning to background. It is a very general principle of artistic communication that work of art in some way deviates from norm which we, as members of society, have learnt to expect in the medium used and that anyone who wishes to investigate the significance and value a work of art must concentrate on the element of interest and surprise, rather than on automatic pattern. In stylistics, the notion of foregrounding, a term borrowed from the Prague School of Linguistics, is used by Leech and Short (48) to refer to ‘artistically motivated deviation’. Foregrounding refers to any attention-catching device in a text including lexical or structural repetition, coupling, collocation, etc. which makes parts of a text to stand out in specific contexts. The term traverses the entire gamut of discourses and presupposes any deliberate device, linguistic or paralinguistic, which authors and writers deploy to emphasize or make prominent a particular aspect of a text. It is a major component of arts criticism, helping scholars to distinguish between the background and foreground of paintings.

Writers deploy diverse ways not only to encode and disseminate their artistic vision and message but also to achieve formal aesthetics in their works. This study explains why writers take advantage of the elasticity of language in sundry ways in their discourses, in the sense that ‘language implies the availability of an internal structure which makes it possible for the writer or speaker to construct texts that are not only coherent but also situationally appropriate’ (Adeyanju,87). In addition, this study also explains why writers employ various paralinguistic devices to complement linguistic choices, make meaning more precise as well as enhance the aesthetic texture and appeal of the texts.

Among the latter set of stylistic resources (paralinguistic devices) highlighted above are graphological elements or patterns such as italicization, capitalization, dashes and ellipses. These paralinguistic resources help writers to capture particular pragmatic senses in texts and aid the readability, comprehension and interpretation of linguistic forms in given situational or textual contexts. According to Adegoju, graphology concerns ‘such matters as spelling, capitalization, hyphenation, typography, lists, underlining, italicization, paragraphing, color, etc. which can all create different kinds of impact, some of which will cause the reader to react differently’ (160).

Ngara (17) echoes a similar viewpoint when he observed that graphology covers such areas as the layout of the text, color, shape of the printed marks, punctuation, paragraphing and spacing, etc. Short (54-57) adds that splitting of a word to separate letters, writing all words together without orthographical spaces, etc., are also graphological patterns or symbols. Etymologically, the term has Greek roots; grapho’ meaning writing and logos meaning word. Basically, it focuses on or deals primarily with handwriting. The term has, however, become very crucial and strategic in linguistic circles particularly in descriptive stylistics and its uses have extended to the study of all subtly meaningful symbols and signs including pictorial devices, which help writers to communicate messages. It is apparently most effective and applicable to an ideophonic language like English, whose writing system largely depends on a set of symbols and signs. According to Alo (5), the descriptive study of style rests on the analysis of language resources which can be found at the various levels of language description including the following: phonology (sounds/sound effects), lexis (word usage and diction), grammar (word and sentence structure), semantics (units of meaning), graphology (orthography or writing system) and pragmatics (language for action or getting things done).

A close look at the above outline etches the fact that stylistic analysis is an empirical linguistic tool whose insight and methodologies do not only cover all aspects of language use but also accounts for all the linguistic choices made by individual authors and speakers in all communicative engagements or situations. Hence, Alo (1) posits that the verbal style encapsulates or embodies “… all the devices of language that are used to achieve communication goals in speech and writing …’ Mullany and Stockwell (15) corroborate this view point inter alia: Stylistic analysis can be conducted…across the linguistic rank-scale, from phonology, morphology and lexicology through syntax and semantics, and up to text or discourse levels.

The significant point, however, as earlier mentioned, is that style which is central to stylistics, distinguishes one form of language use from another at all these constitutive levels or layers, according to the specific interactive or communicative context. Hence, Wales in Missikova (18) defines style as variation in language, literary or non-literary, the set or sum of linguistic features as the characteristics of an author or as the choice of items and their distribution and patterning. Crystal (440) lends credence to this view when he defined style as situationally distinctive uses of language by an author or speaker. Turner (7) adds that stylistics focuses on variation in the use of language, often, but not exclusively, with special reference to the most conscious and complex uses of language in literature.

The term ‘foregrounding’ had its origin with the Czech theorist Jan Mukařovský. It is how Mukařovský’s original term, aktualisace, was rendered in English by his first translator Paul Garvin in the 1960s. It refers to the range of stylistic variations that occur in literature, whether at the phonetic level (alliteration, rhyme), the grammatical level (inversion, ellipsis) or the semantic level (metaphor, irony). According to Leech (56-57), foregrounding manifests in linguistic parallelism and linguistic deviation and can be studied from lexical, grammatical, phonological, semantic and graphological angles. Leech and Short (48) are of the view that there are essentially two kinds of foregrounding viz: quantitative and qualitative foregrounding. Quantitative foregrounding is deviating from some expected frequency while qualitative foregrounding is the deviation from the language code itself. Yankson (3) alludes to the latter kind of foregrounding when he defines it as ‘…the aesthetically intentional distortion of the linguistic components of a text’. He opines that ‘the normal language code is the background. Any deviation from the normal code is the foreground, because it brings the message to the forecourt of the reader’s attention’. In the same vein, Halliday (98) describes the term as ‘motivated prominence’ given to a particular textual feature, in the sense that it covers all the linguistic and paralinguistic strategies used by literary artists or other authors to make parts of a text prominent which contribute substantially to their cumulative meaning, and attract the attention or close scrutiny of scholars and readers alike. There are two main types of foregrounding; parallelism which can be described as unexpected regularity while deviation can be seen as unexpected irregularity. As the definition of foregrounding indicates, something can only be unexpectedly regular or irregular within a particular context. This context can be relatively narrow, such as the immediate textual surroundings (referred to as a ‘secondary norm’).

No doubt, foregrounding is a relevant, even indispensable, strand of textual texture, particularly in literary texts by its very nature and function, as outlined earlier. Babajide (131) highlights the relevance of foregrounding in graphological analysis inter alia: foregrounding is a major device in the graphological aspect of a text. This simply means bringing a certain item to the fore. Foregrounding manifests in different forms such as capitalization, italicization, dashes, and all sorts of signs and symbols used to demand attention. As such, the present study focuses on analyzing foregrounded elements which have been deliberately deployed by Okey Ndibe to draw attention to critical and strategic aspects of meaning in his Foreign God’s Inc. The idea noted earlier is to demonstrate the fact that there is an intrinsic connection between visual appeals and meaning interpretation in texts, the appropriation interpretation of meaning in discourse is not entirely dependent on the use of formal linguistic elements.

1.2 Statement of the Problem

This study analyzes some foregrounded elements in Okey Ndibe’s Foreign Gods Inc. Literary writers use language in a particular way for aesthetic effect and meaning, although, the literary aspect of communication carried out through foregrounding enhances the effectiveness of communication to a very high level. This is also applicable to Okey Ndibe.

The problem this study seeks to investigate therefore is to explicate how effective these features such as the graphological and lexico-grammatical features have been used in conveying the subject matter and preoccupation of the writer to intended readers. Whenever a writer employs foregrounded features, he is able to express his message to the reader more effectively and more forcefully than if he employed non-foregrounded language. This study will illuminate and explore some of the foregrounded features mentioned above used by the author of this text as a chosen means to communicate to us more forcefully and effectively.

1.3 Significance of the Study

Since every literary artiste has his own particular way of thinking and writing, stylistic devices use is different from one writer to another. The goal of this study is to sharpen our awareness of how language works in literary texts. Language is an immensely complex and variable instrument. The literary artiste cannot cut himself adrift from the role language plays in our everyday lives. So, literary expression is an enhancement or a creative liberation of resources of language. Examining the language of a literary text can be a means to proper understanding and appreciation of the artistic achievement. Therefore, this study is an invaluable piece of writing as it analyses linguistically, the use of foregrounding as an aspect of style in Okey Ndibe’s Foreign Gods Inc. It will also make it easy for linguists to appreciate the unique style of the writer whose work is understudy. This is consequent on the propensity of writers to consistently adopt certain stylistic features over others. This study can also help in unraveling some ambiguous aspects of the author’s style. It is also a means to sensitize readers and students alike on language.

1.4 Aim and Objectives of the Study

The study examines the elements of foregrounding as an indispensable linguistic feature in Okey Ndibe’s Foreign Gods Inc. In other words, the artistic as well as the communicative effects created through the employment of foregrounding will be investigated in detail. Foregrounding, being the phenomenon through which the writer’s creative ability in using language is reflected, is also an important way through which this study is examined. To this end, the underlying objectives are:

a. to decipher the foregrounding features; graphology and lexico-grammatical features deployed by the writer in the text.

b.to identify and explain some of the various foregrounding element the literary artiste used to pass across his intended message, and

c. to explicate how effective these features are in conveying the subject matter and preoccupation of the writer to intended readers.

1.5 Methodology

An in-depth reading of Foreign god’s Inc. was done and the relevant chapters sampled, a case study design is used since it seeks to describe a unit in detail, in context and holistically. The study aimed at collecting and analyzing foregrounded element such as graphology and lexico-grammatical features from the text. For the primary sources of data, this study will sample various chapters from the text, Foreign god’s Inc. that specifically have the features to be analyzed. With secondary sources the study will relies on library research by going through books, projects, thesis and papers presented on the same. There are three hundred and thirty-two pages that make up the novel and twenty- seven chapters, data collection will involve random sampling. The data sampled depends on the context in which it occurs this is to assist the study in analyzing the significance of the collected data. Data analysis involved scrutinizing the acquired information and making inferences. This research uses the content analysis technique.

1.6 Scope and Delimitation of the Study

Linguists use the term stylistics in a variety of ways as a cover term for a wide range of linguistic studies. The concept can be divided into literary and linguistic stylistics. The focus of this study is linguistic stylistics with preference on foregrounding. It attempts to analyses some of the foregrounding elements in Okey Ndibe’s Foreign god’s Inc. These foregrounding the elements of graphological foregrounding such as the author’s use of italics, capitalization and dashes for either emphasis or for foreign words will be investigated in this study. Lexical, where the author creates new words (neologism) and how some words are used differently from their conventional usage. Furthermore, the use of semantic foregrounding alongside the author’s use of idioms and proverbs.

1.7 Synopsis of the Text

Ikechukwu Uzondu (“Ike for short”) has a degree in economics, cum laude, from Amherst College, but has been driving a New York City taxi for thirteen years. His first obstacle to employment more fitting to the level of his education is his lack of a green card. The solution, when it comes, is worse than the problem: a shrewish wife pathologically obsessed with both sex and shopping. But the green card was not enough: despite earning all As in English at Amherst, Ike, has an accent that makes him all wrong for Corporate America. Ike’s accent, his speech, comes up repeatedly as shorthand for his inability to belong anywhere. Struggling under the weight of debt (brought on, in part, by a horrific divorce from his sociopathic wife), Ike gambles in hopes of supplementing his taxi-driver earnings, and drinks to numb it all. E-mails from family in Nigeria plead for financial help. A solution seems apparent when a friend hands him an issue of New York magazine profiling an art broker, Mark Gruels, who owns a gallery called Foreign Gods, Inc. Ike is disgusted the first time he read Gruels’s story. The idea of a few wealthy individuals buying up so-called Foreign Gods and sacred objects just didn’t sit well with him. But then his friend encourages him to return to his village to steal Ngene, the war god of his people. When an e-mail from his sister tells him that the local pastor, Uka, has insisted that the Ngene has to be destroyed “in a huge fire” so that millions of dollars can be “released” in blessing, Ike finds a justification for what has begun to seem like the solution to his inability to stay ahead of rent payments. A long back story detailing the coming of Christianity to Ike’s people via the missionary efforts of one Mr. Stanton (whose name, on local tongues, turned into something that sounds a little too obviously like “Satan”) Mr. Stanton is given to preaching peace and love one minute and then to slapping his interpreter the next. A similarly flat portrayal of Pastor Uka follows. Ike discovers that his mother’s resources have been pouring steadily into Pastor Uka’s coffers. Ike’s mother wasn’t always a devotee of Pastor Uka’s brand of Christianity; they were Catholic, when his father was alive, and for Ike’s uncle, this was a point of ridicule as well. Ike’s uncle’s god, Ngene, gave him all kinds of things to eat–goat, yams, and chickens –while Ike’s father’s God gave him “only a tiny wafer pasted on his tongue.” Such were the consequences when his people went from worshiping a powerful god of war to worshiping a God “whose love was so overpowering that he assented to being impaled.”

Ike finally does land in Nigeria, at the airport he was harassed by venal custom officials, he visits the home of a rich and powerful friend who keeps a room in his house for “poor people” to watch TV. They only appear to be entranced by an old game between the Lakers and the Bulls; actually, it’s the astronomical salaries of NBA players that dominate their chatter. Ike observes they hardly cared for the dunks, the pump fakes, the cross-over dribbles, the fade-away jump shots from impossible angles, these fans in faraway Utonki seemed enthralled by the basketball players’ storied wealth. Everyone in this novel is greedy and grasping, particularly women, including a former lover of Ike’s, Regina, who ditched him when they were teenagers for a richer guy, who ended up dying when a heroin-stuffed condom burst inside him at a British airport. All the while, he tries to figure out a way to steal Ngene from under the watchful eyes of his uncle, Osuakwu, the deity’s attendant. Meanwhile he visited his grandmother who reveals to him what he had long dread to hear as it confirm the sick feeling, fainting and dizziness especially when it rains he was inform that he will be the next deity attendant. He finally was able to steal the god and hurriedly travel back to America he sold the god to Mr. Gruels.

References

Abochol, S. I. language and Society: An Introduction. Chartered Graphic Press Abuja, 2011

Abrams, M. H. A. Glossary of Literary Terms. Chicago: Hold, Renchart and Winsten. 1981

Adegoju, A. “A Sociolinguistic Study of Deviant Orthographic Representation of Graduating Students Names in a Nigerian University.” Linguistik Online, vol 53, no.3, 2013, pp. 134-150.

Adeyanju, A. “Discourse of Online Preaching: A Stylo-linguistic Analysis of Pastor Tunde Bakare’s Sermons on Religion, Politics and Poverty in Nigeria.” Discourse of Digital Civic Engagement: Perspectives from the Developing World. Eds. Rotimi Taiwo & Tunde Opeibi, Nova Science Publishers, 2016.

Akwanya, A. Semantics and Discourse: Theories of Meaning and Textual Analysis. Acena Publishers, 2010.

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AN APPRAISAL OF THE INDISPENSABLE ROLE OF LEXICAL FIELD ANALYSIS IN THE STUDY OF MEANING

AN APPRAISAL OF THE INDISPENSABLE ROLE OF LEXICAL FIELD ANALYSIS IN THE STUDY OF MEANING

Abstract

The focus of semantics is the study of meaning and meaning related terms. This paper is an appraisal of the indispensable role of lexical field analysis in the study of meaning. The study adopts a descriptive analysis of semantic meaning, stating that it is impossible, if not, almost unrealistic to carry out a semantic analysis without lexical field analysis; thus ascertaining the indispensability of this branch of semantics.

INTRODUCTION

Linguistics has been defined by Omachonu as “the scientific study of language” (7). The discipline called linguistics has various branches such as: Sociolinguistics, Anthropological linguistics, Phonetics and Phonology, Discourse Analysis, Applied linguistics, Pragmatics, Forensic linguistics, Stylistics, Semantics, etc. and linguistics as a discipline has tried to spread its tentacles to the various fields of human endeavour in order to examine the role of language in human activities with the aim of analyzing human interactions and communications. This study concerns itself with the above latter field which is the branch of linguistics that examines meaning in communication.

According to Ogbulogo (1), semantics as a term was first formally used by Breal in 1897. Hence, it can be deduced that Breal was the first to bring to the fore in a formally acceptable way, the nature of meaning in language. Though the quest for the understanding of meaning has always been of interest to scholars, semantics was not mentioned as a term and did not come up in literature until 1897 when it was first used by Breal. This first attempt to study meanings by philosophers brought about the area of semantics called philosophical semantics, which according to Ogbulogo (1) examines “the relationship between linguistic expressions and the phenomena they refer to in the external world.” Philosophical semantics focuses on examining the conditions under which such linguistic expressions and the phenomena they refer to are true or false. This can be traced to as far back as Plato and Aristotle’s works.

However, contemporary philosophical semantics can be traced to the works of authors like Rudolf Carnap (1891 – 1970), Alfred Tarski (1902) and Charles Peirce (1839 – 1914). According to Peirce, philosophical semantics developed as Semiotics in America while with the influence of Saussure in France, the term “semiology” was used. However, the idea of truth-based semantics was Tarski’s major contribution (Ogbulogo, 2). Ogbulogo goes ahead to observe that linguistic semantics emphasizes the properties of natural languages while pure or logical semantics is the study of the meaning of expressions using logical systems or calculi. Examining semantics in this dimension makes it more mathematically related than linguistic in nature. Alfred Korzybski was the first person to attempt studying semantics as a distinct discipline, separate from the discipline of philosophy. Incidentally, Korzybski was a non-linguist who was passionate about introducing a generally acceptable science of communication. Prior to the work of Korzybski, semantics has been looked at from a nonscientific perspective but Korzybski’s work was the first formal attempt at bringing in a scientific model to the study of semantics. Korzybski started by describing all entities and realities by assigning labels to them. He went further to group the names into three. He had names for common objects such as chair, stone, cow and so on. He also had labels for groups and collections like nations, animals, people and so on. Korzybski’s third group of labels does not have identifiable referents in the outside world. These labels are highly abstract and do not readily lend themselves to the assignment of concrete reality. These labels are only assignable to concrete realities by imagination. Such labels include but are not limited to freedom, love, and democracy among others. They feature in aesthetics, philosophy and politics. However, this is not the same with common objects since there seems to be a direct correspondence between items and linguistic expressions. It is interesting to also know that a serious difficulty tends to be posed by labels for groups as a result of the wide range of items within the group. The main challenge with abstract labels stems from the fact that meaning does not have an objective reference in reality because different people will react to different words differently. For instance, the word “love” would be viewed differently by different people as a result of their circumstance or present reality. One person who probably is in a loving relationship will view it positively while another in an unfulfilled relationship will view it negatively. Hence, their reactions will be different and will therefore evoke different emotions from them.

Two other scholars, Ogden and Richards came very close to the analysis of meaning by combining philosophical processes and linguistic methodologies. Although as Abohol (3) noted, they avoided the use of the word, semantics. They introduced the concept “referent” to describe the physical object or situation which the word identifies in the real world and pointed out that the representation or situation should be seen as a referent while the actual pronunciation or orthographic representation will constitute the symbol. For example, the figure or silhouette of an adult female human being will be the referent while the word used to describe the referent will constitute the symbol. The symbol is similar to Korzybski’s concept of label (Ogbulogo, 3).

Omachonu (13), states that “Semantics is the area of linguistics that deals with the study of meaning; it examines the ways in which words and sentences of various grammatical constructions are used and understood by speakers of a given language. Semantics therefore, is the science of meaning.” From the above, it should be noted that the concerns of semantics is the interpretation of meaning in communication. In semantics, the emphasis is to study the meaning of words and sentences of languages. Linguistic semantics studies meaning in a systematic and objective way. Since meaning as a concept is not static, a great deal of the idea of meaning still depends on the context and participants in the act of communication. There is a strong connection between meaning and communication. Communication is used here to mean the exchange or relay of information, message, attitude, feelings or values from one person to another (Ogbulogo, 6). This is done mainly by the use of language. It is often expressed that language is a system, which uses a set of symbols agreed upon by a group. These symbols can be spoken or written, expressed as gestures or drawings. The symbols employed in language must be patterned in a systematic way. Ogbulogo (5) observes that language is organised at four principal levels – sounds (that is phonetics/phonology), words (that is phonology, sentences (that is syntax) and meaning (that is semantics). Phonology and syntax are concerned with the expressive power of language while semantics studies the meaning of what has been expressed. Knowledge of grammar is an aspect of the innate cognitive ability of human beings. The power of interpretation compliments that innate ability. Interpretation is an aspect of semantics. Therefore, language acquisition or learning includes not only the knowledge of the organisation of sounds and structures, but also how to associate meaning to the structures. Semantics can, therefore, be characterised as the scientific study of meaning in language.

From the above, it could be seen that most linguists agree to the idea that semantics studies meaning in language; however, this leaves us with the questions of what do we really understand by “meaning”? What is that “meaning” that is organized and expressed by languages? In very general terms, speaking consists of communicating information: somebody (the speaker) has something in his/her mind (an idea, a feeling, an intention, whatnot), and decides to communicate it linguistically. Vocal noises are then emitted that are heard by a second person (the hearer), who “translates” these noises back into ideas, with the result being that this hearer somehow “knows” what the first person had in mind. That “something” that was at first in the speaker’s mind and now is also in the hearer’s mind is what can be called meaning. However, the place of semantic lexical field analysis in the interpretation of meaning is paramount because it is almost impossible to do semantics without lexical field analysis. This is the concern of this paper.

  1. Approaches to Semantics

To unveil the indispensability of lexical field analysis to the study of meaning, it is paramount to first consider some of the approaches to studying semantic meaning in other to unearth their relationship to lexical field analysis, and thus, ascertain the idea that the existence of lexical field correspond to an empirical fact about human language, and not just a methodological device.

The approaches to semantics are: Traditional, Behavioural, Semantics, Structural and Generative Semantics. However, this paper will limit its scope to structural and generative due to time and space constraints, and because they are the most recent approaches to semantics.

Structural semantics is traced to the posthumous work of the Swiss linguist, Ferdinand de Saussure, titled “Cours De Linguistique Generale”(A Course in General Linguistics) that marked the modern linguistic movement started at the wake of the 20th century. Saussure posits that language is a system of inter-related units and structures and that every unit of language is related to the other within the same system. Structuralism is a very efficient aspect of Semantics, as it explains the concordance in the meaning of certain words and utterances. Structuralism has giving birth to sense relations as a means of semantic interpretation. Ogbulogo (7) asserts that structural semantics is the study of relationships between the meanings of terms within a sentence, and how meaning can be composed from smaller elements. However, some critical theorists suggest that meaning is only divided into smaller structural units via its regulation in concrete social interactions; outside of these interactions, language may become meaningless. Different approaches within structuralist semantics include lexical field theory, relational semantics, and componential analysis. Structuralism has revolutionized semantics to its present state, and it also aids in the correct understanding of other aspects of linguistics. The consequential fields of structuralism in linguistics are sense relations (both lexical and sentential) among others.

From the above, it could be understood that lexical field analysis is a strong base for achieving meaning in structural semantics. To understand the structural connection between lexicons and their semantic meaning, one must first understand the relations the lexicon has with other words. Finding meaning in the unit of words will enhance understanding meaning in the connection of such words to other words.

Also, componential analysis as an offshoot of structural semantics aims at studying the semantic properties of lexical items (which is also another form of lexical field analysis) in relations to their meaning. Analysis of words through structured sets of semantic features (present, absent, indifferent with reference to feature); departs from the principle of compositionality; a method typical of structural semantics which analyzes the structure of a word’s meaning. Componential analysis (also called feature analysis or contrast analysis) is the analysis of words through structured sets of semantic features, which are given as “present”, “absent” or “indifferent with reference to feature”. The method thus departs from the principle of compositionality. Thus, according to Ottenheimer, “it reveals the cultural approaches to the study of semantic important features by which speakers of the language distinguish different words in a Semantic field or domain.”(20) This is a highly valuable approach to learning another language and understanding a specific semantic domain of Ethnography. In other words, componential analysis assumes that all meanings can be further analysed into distinctive semantic features called semes, semantic components or semantic primitives, as the ultimate components of meaning. The search for distinctive semantic features was first limited to lexical items which were intuitively felt to form natural structures of a more or less closed nature. For instance:

Father (+Human) (+male) (+adult)

Lamb (-Human) (-/+ male) (- adult)

From the above, finding distinctive features to the lexicons help to give meaning to them and this will also limit their use with other lexicons in English. For instance, it will be out of place to say “the lamb smile” since the feature of (- human) does not apply to the lamb. Once this is understood, one would now have to go further in interpreting stylistic meaning to the sentence which may interpret ‘Lamb’ to mean among other things, a human baby or an adult that behaves gentle or docile as a lamb would.

Generative semantics was  initiated by the works of various early students of Noam Chomsky: such as John R.Ross,  Paul Postal, and later James McCawley. George Lakoff and Pieter Seuren were also instrumental in developing and advocating of the theory. The approach developed out of transformational generative grammar in the mid-1960s, but stood largely apart from, and in opposition to, the work of Noam Chomsky and his later students.

According to Abochol, “Generative semanticists took Chomsky’s concept of deep structure and ran with it, assuming (contrary to later work by Chomsky and Ray Jackendoff) that deep structures were the sole input to semantic interpretation” (7). This assumption,  combined with a tendency to consider a wider range of empirical evidence than Chomskyan linguistics, led generative semanticists to develop considerably more abstract and complex theories of deep structure than those advocated by Chomsky and his students—and indeed to abandon altogether the notion of “deep structure” as a locus of lexical insertion. Throughout the late 1960s and 1970s, there were heated debates between generative semanticists and more orthodox Chomsky Ans. Neither side can be accurately said to have “won” those debates, as positions and theories shifted considerably along with each bit of new data that was examined.

In generative semantics, syntactic rules enumerated a set of well-formed sentences paired with syntactic structures, each of which was assigned an interpretation by the rules of a separate semantic theory. This left syntax relatively (though by no means entirely) “autonomous” with respect to semantics, and was the approach preferred by Chomsky. In contrast, generative semanticists argued that interpretations were generated directly by the grammar as deep structures, and were subsequently transformed into recognizable sentences by transformations. This approach necessitated more complex underlying structures than those proposed by Chomsky, and more complex transformations as a consequence. Despite this additional complexity, the approach was appealing in several respects. First, it offered a powerful mechanism for explaining synonymity. In his initial work in generative syntax, Chomsky motivated transformations using active/passive pairs such as; “John slapped Mary” and “Mary was slapped by John”, which despite their identical meanings have quite different surface forms. Generative semanticists wanted to account for all cases of synonymy in a similar fashion—an impressively ambitious goal before the advent of more sophisticated interpretive theories in the 1970s.

The theory had a pleasingly intuitive structure: the form of a sentence was quite literally derived from its meaning via transformations. To some, interpretive semantics seemed rather “clunky” and adhoc in comparison (14). Strictly speaking, it was not the fact that active/passive pairs are synonymous that motivated the passive transformation, but the fact that active and passive verb forms have the same selectional requirements. For example,  the agent of the verb slaughtering (i.e. the thing that’s performing the act of slaughtering) must be animate whether it is the subject of the active verb (as in “John is slaughtering a goat “) or appears in a phrase after the passive verb (“The goat was slaughtered by John”).

Generative-transformational grammar resumes many of the concerns of traditional semantics. Thus, according to this approach, semantics should include an analysis of the way in which words and sentences are related to objects and processes in reality reintroducing into the discussion the problems of reference,  denotation etc. Its second concern should be an analysis of the manner in which words and sentences are related to one another. These include an account of synonymy, antonymy, entailment, contradiction, paraphrase,  implication, presupposition, etc.

With the generative semantic models, the semantic component is the generative source of the grammar. The semantic representations which initiate the derivation of sentences are independently generated, and are then mapped on to surface (syntactic) structures by means of transformations.(Chitoran, 181).Thus there have been two ways heading to generative semantics: one, the revision of the standard model particularly of the notions of deep structure, selectional restrictions, etc. Two, are appraisal of the semantic component, more specifically of semantic representation.

From the above, it could be seen that generative semantics relates to lexical field analysis by showing relationships of synonymy, antonymy, entailment,  contradiction, paraphrase, implication, presupposition, etc. lexical field analysis, thus, remains indispensable in generative semantics.

  1. Lexical Semantics

There is a longstanding philosophical tradition of paying much attention to the meaning of words. This tradition dates back at least to the times of Socrates and Parmenides. In recent times,  according to Abochol (3), renowned linguists like Wittgenstein and Quine have centred a great deal of their studies around a number of general questions regarding the nature of meanings, how words might come to have meanings,  the relationship between words and their worldly denotations, etc. Similarly, since the 1980s, theories of grammar have become much more lexically driven, necessitating much deeper attention to issues of lexical meaning. It is these concerns that have formed the motivations and philosophy of lexical semantics; a subfield of linguistic semantics.

According to Murphy, lexical semantics is ‘the study of word meaning, but in practice it is often more specifically concerned with the study of lexical (content) word meaning, as opposed to the meanings of grammatical (function) words’ (67). In other words, it means semanticists are most interested in the open class group (nouns, adjective, verbs, adverbs) than the closed class group. He further opines that ‘lexical semantics is thus mostly exempt from considering issues that arise from the use of grammatical words, such as definiteness and modality’ (68). The units of analysis in lexical semantics are lexical units which include not only words but also sub-words or sub-units such as affixes and even compound words and phrases. Lexical units make up the catalogue of words in a language, the lexicon.

Lexical semantics also concerns itself with how the meaning of the lexical units correlates with the structure (syntax) of a language. This is referred to as syntax-semantic interface. Thus the focus of lexical semantics revolves around the classification and decomposition of lexical items, the differences and similarities in lexical semantic structure cross-linguistically and the relationship of lexical meaning to sentence meaning and syntax.

It is concerned with individual words (unlike compositional semantics, which is concerned with meanings of sentences). Of the many ways that lexical semantics can be studied, this paper will look in general terms at the meaning relationships that word meanings have with one another and the semantic features that help to differentiate similar words. Lexical semantics focuses on meanings in isolation, that is, without attention to their contribution to reference or truth conditions. Lexical units, also referred to as syntactic atoms, can stand alone such as in the case of root words or parts of compound words or when attached to other units such as prefixes and suffixes. The classification of lexical items in lexical semantics is based on whether their meanings are derived from single lexical units or from their surrounding environment. This gives room for lexical items to participate in regular patterns of association with each other. The relationship between lexical items is often categorized into the following: hyponymy, antonymy, synonymy, homonymy, polysemy, hypernymy, hyponym and metronymy.

Hyponymy: This is a sense relation that shows the relationship between more general terms (hypernyms) and specific terms (hyponyms). A hyponym is a word or phrase that includes the meaning of a more general notion or word.

Example: Dog is a hyponym of an animal because it has some animal qualities. Also, desk is a hyponym of furniture because it has the features of furniture.

The semantic field of a hyponym is more specific than a hypernym.  A hypernym/superordinate is the more general term that includes the hyponyms.

Examples: Animal is the hypernym for dog,  cat, monkey, etc. The hyponym for milk, beer and juice is drinks.

The relationship between hyponyms and hypernyms is to view a hypernym as consisting of hyponyms,  in other words, they are asymmetric. However, hyponyms are typically used to refer to nouns.

Polysemy: This is the capacity of a word,  phrase or symbol to have multiple meanings usually related by contiguity of meaning with a semantic field. These words are usually referred to as polysemes. A polysome is a word or phrase with different, but related senses.

Examples: The bank of a river and The richest bank in the city.

The plaintiff approached the bar and The man was called to bar.

Some of the semantic relations will now be broadly discussed below:

Synonyms

Words having more or less the same meaning are known as synonyms. E.g. hide/conceal,  avenge/revenge, broad/wide, almost/nearly, abstain/refrain, banish/exile, allow/permit, decrease/diminish, answer/reply, steal/rob, cite/quote, confer/bestow, hasten/hurry, drown/sink, enough/sufficient, jail/prison etc.

It is important to note that no two words have exactly the same meaning in all possible contexts. Even if two words have the same referential meaning, they may differ from their emotive or associative meaning. Dr Johnson, the famous lexicographer of the 19th century rightly remarked: “Words are seldom exactly synonymous”.

There are two ways in which we can know whether two words are synonymous or not. One of it is the test of substitutability. E.g. profitable/lucrative, dirty/filthy, rich/wealthy, variety/range etc.

  1. Business in this country is not as profitable as it is in other countries.
  2. Business in this country is not as lucrative as it is in other countries.
  3. Please,  take your dirty hands off me.
  4. Please,  take your filthy hands off me.
  5. Every rich family has a graduate.
  6. Every wealthy family has a graduate.
  7. He has a wide variety of goods in his shop.
  8. He has a wide range of goods in his shop.
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SOCIETY AND CORRUPTION IN SELECTED AFRICAN NOVELS: A CASE STUDY OF ACHEBE’S “A MAN OF THE PEOPLE” AND AYI KWEI ARMAH’S “THE BEAUTIFUL ONES ARE NOT YET BORN”

PROJECT TOPIC- SOCIETY AND CORRUPTION IN SELECTED AFRICAN NOVELS: A CASE STUDY OF ACHEBE’S “A MAN OF THE PEOPLE” AND AYI KWEI ARMAH’S “THE BEAUTIFUL ONES ARE NOT YET BORN”

CHAPTER ONE
INTRODUCTION
1.0 Background of the Study

A literary artist is not always at home with some of the activities he observes in his society. And due to certain corrupt practices and moral decadence that pervade his society, he uses his work to express some of these corrupt practices.

The theme of corruption in literary works is used by the literary artist to fully expose and at the same time frown at such moral devaluation. As the literary artist who are not comfortable with the gravity of corruption in their society, Achebe and Ayi Kwel Armah use their works A Man of the People and The Beautiful Ones Are Not Yet Born respectively to expose and at the same time create in the minds and hearts of the people a hatred to such corruption practices with the aim of proffering solution to them.

The society is a known steady feature in the setting of a novel because the novel deals with the interaction between the individuals in the society and the society itself.

To lay minds, society means a collective experience which arises when an individual has related with another in order to have a common identity. It marks the coming together of the individual. In this effect, society forces an individual to control himself and amend their ways when necessary because we are in a restless society that wants a constant change.

In addition, Kendall (1998), commenting on society states thus:

Society is a stable, orderly system composed of a number of interrelated parts, each of them perform a function that contributes to the overall stability of society. These interrelated parts are social institutions such as families, the economy, education and government. And each institution performs a unique function, contributing to the overall stability of society and the well being of individuals. (P.106).

Here, society cannot exist without an individual. For instance, the government is responsible for coordinating activities of other institutions, maintaining law and order, dealing with unmet social needs, and handling international relations and warfare.

But on the contrary, corruption and decay have eaten deep into the moral base of society. This is because the social institutions do not fulfil the functions they are supposed to perform. However, the coming of whitemen created the myths about Africans through which they denigrated and reduce the personality of Africans. But the nationalists movement came up to fight against prejudice and to defend African integrity.

The effort to achieve independence gave hope to the desires of the people. The people now believe that their own son will occupy the prominent positions hitherto occupied by the whitemen and hence use such position to better the lost nation. But unfortunately, the military era was a year of holocaust, when the whole fabric of Nigerian society was torn apart. It was a period of monumental corruption. A period when bribery and corruption became an official means of state craft.

More so, the BBC English Dictionary defines corruption as “Dishonesty and illegal behaviour by people in position of authority or power”. (P.261).

Corruption is a social malaise which eats deep into the fabric of individual or society. The government of post-independent Nigeria and Ghana witness this ugly trend. It was an era of public looting, bribery, indiscipline in the lives of government workers and eroding of ethnics and moral values in the citizenry.

During this period the standard of education was reduced. The military became very important in the Nigeria context and it created a lot of crises in the country. It was a time when extra judicial killings became rampant and a means of managing the country. It was equally a time when a few persons (generals) became richer than the country itself. It was the same period that saw the close down of the refineries through the allowance of multinational oil company and Nigeria National Petroleum Cooperation (UNPC).

Even in the religious field, corruption is greatly frowned at and this is why it is placed at the negative side of actions found in the Holy Book. The Holy Bible recorded that the Jews were able to crucify Jesus Christ because they succeeded in bribing (corrupting) one of His disciples, Judas Iscariot who betrayed Jesus Christ (Matthew 26). Ananias and his wife, Saphire, greedily conspired and made to the church community a false presentation of the amount they realised from the sale of their land (Acts 5).

In addition, Webster Encyclopaedia of English (1977) defines corruption thus:

The act of corrupting or the state of being corrupt. Moral pervasion depravity from a state of purity, debasement as of a language, a debased from the word. (P.125)

Man lives in a society with many sub-systems. He allows the system to shape partly his character, so as to fit into the society. He does not live in isolation from the system of the society. Environmental reactions and experience shape one’s character in a particular society. But corruption has changed this fact into a more bad norms and values than good. As Chukwu V. O. in his additional comment on The Legacy states thus:

Corruption is unfortunately the only creed that has survived in this society. It occurs in different shades, embezzlement, misappropriation of public fund which are the quickest ways open to the public servant who wishes to change class, dupery and economic wealth and indecent living. (P.50)

Achebe’s A Man of the People is a portrayal of the theme of corruption in Africa in relation to the Nigerian contemporary society. He paints a vivid picture of the African view of power and life in general as well as people’s avowed nature to a quest for material and political power. Armah’s The Beautiful Ones Are Not Yet Born is a great milestone, in that it represents at best the coming of age of African literature. It is individualised in style and language, radical in thought, and frightening in its frank and fearless realism. Throughout the novel Armah nauseates us to force us see corruption and filth within our environs, references to smells in the book, especially excreta which was frequently used.

Ironically, we are told at the end of the novel that only the wicked survive. “The man” as used in the book, has a family and is able to survive in an era of crass materialism. The teacher ran away from his family because his loved-ones would make him try his hand in the corrupt practices of the society. It is disheartening to note the pivotal rate of corruption in Africa, especially among those in authority. Armah and Achebe took a look in their societies, where they criticised the practices of the Africans involved in corruption.

1.2 Objective of the Study

The foundation of this work is based on Lindfors (1973); he postulated:

Armah and Achebe make us believe that in Africa nothing has changed after independence. They sought to expose political deployment of images and symbols. Images of life and meaningful movements associated with pristine African way of life which were used to expose the extent of decay and corruption in resent day Africa. The novelist makes us feel the true nature of society because they focus attention on the events which society plague society after independence. (P.57).

Based on this statement therefore, the research is to analyse level of decadence and corruption that pervade the African society before and after independence using the two novels under study and also to finding out the extent to which Africa has changed or has remained corrupt.

1.3 Statement of Problem

Before the advent of colonialism African society has a culture which maintained the moral value of society. However, the coming of the whitemen entrenched a system of oppression and dehumanization. But the coming of independence gave hope to the desires of the people. Unfortunately, however the African elite who occupied these positions turned to be worse than the European oppressor. This disillusionment – the loss of expectation formed the basic problem of this research.

1.4 Limitation of the Study

In the course of carrying this research the researcher encountered some difficulties which tended to affect the progress of this work. One of the difficulties is lack of relevant materials that dealt with the topic under study. Again, there was the problem of finance. The researcher had not enough money to cope with the demands of moving from one library to another in search of materials. This made it difficult for the researcher to exhaustively deal with the topic.

1.5 Significance of the Study

This work examines decay and corruption in the novels of Armah and Achebe. The works of these authors have not been fully analysed. As such, it is hoped that this study will help in contributing to the analyses of the works. It is equally hoped that the students in the English department will benefit immensely in this study.

1.6 Research Methodology

In the course of this study, there is extensive use of secondary, supplementary data obtained from different libraries. To start with, review of textbooks and studies on the problem. Other supplementary information was obtained from materials such as the Holy Bible, newspapers and journals. These provided the necessary literature utilized for analysis and review of the study.Download Full Material-N5000